‘Wicked’ Review: Cynthia Erivo And Ariana Grande In A Movie Musical Adaptation That Actually Eclipses The Broadway Stage Play

The movie version of Broadway’s beloved musical, Wicked has been a long time coming since the play’s opening in 2003, but it is finally here, and quite frankly not only soars cinematically, it exceeds all expectations. In fact what director Jon M. Chu (Crazy Rich Asians, In The Heights) does here ranks with the best movie musicals, an innovative and quite stunning take that will not disappoint even the hardest core lovers of the stage version. And this is only Part One (more on that later)

Of course a magical descendant of one of the most celebrated movies of all time, 1939’s The Wizard Of Oz, and even before that L. Frank Baum’s immortal book(s), this take was based on Gregory Maguire’s 1995 origin story of Elphaba and Galinda and the relationship between two BFFs whose lives go in wildly different directions in a world pre-Dorothy.

Set initially at the Shiz University we meet Galinda (Ariana Grande), a very POP-U-LAR student with an optimistic outlook on life, and Elphaba, daughter of the Mayor of Oz who was born different, her green skin making her an outcast for many of the other students, but whose emerging friendship with Galinda becomes the crux of a story that goes in surprising directions. With a screenplay by Winnie Holzman who wrote the original stage version, and here also teamed separately with Dana Fox, this Wicked has surprising political relevance, and a gravitas I didn’t quite recall from seeing this originally in the theatre.

This is a world where fascism in Oz is taking hold, where fear and hatred is being promoted, and the intelligent and wise speaking animals of Oz are having their voices silenced. Quite frankly it is like watching the emergence of the Third Reich in some ways, and it sends a chill down our spines, even if the movie is at heart a sprightly musical confection with those terrific and bouncy Stephen Schwartz songs that are so memorable. To be sure, lovers of the Broadway show have much to look forward to. No song has been cut, and in fact the story and characters have been given more attention and time to really come alive in this universe. And as I said this is just Part One, a rather brilliant idea by Chu, an avowed fan of the musical, to divide it into two movies, this first one running two hours and forty minutes, but standing on its own while still setting up the second film due a year from now as the origin story of Elphaba merging into the Wicked Witch Of The West, and Galinda becomeing Glinda the Good Witch will become one with all we have known of Baum’s books. Chu, no stranger to musicals, has somehow avoided turning off the fans, but with this film really enhancing everything and turning the stage magic into pure movie magic.

Erivo is simply stunning in the juicy role of Elphaba, her voice a wonder and a perfect fit for Schwartz’s music especially in the iconic “Defying Gravity”. She is matched in every way by a charming and very funny Grande. proving her acting chops and adjusting the pop vocal styles of her career to a voice that truly becomes Galinda, a popular choice indeed. The supporting cast is superb, with Michelle Yeoh ideally cast of Madame Morrible , the headmistress and dean of sorcery studies who takes Elphaba under her wings, seeing extraordinary potential in the girl’s powers. Jeff Goldblum puts his own stamp on the fearsome Wizard of Oz , using his own quirky persona to reinvent the character, and providing a delightful musical number of his own.

Jonathan Bailey has the look and swagger necessary for dreamy Prince Fiyero, and there is also fine work from the amusing duo of Bowen Yang as Pfannee and Bronwyn James as Shin Shen who hang with Galinda. Marissa Bode is quite touching as the wheelchair bound Nessarose, the object of affection for Munchkin Boq played by Ethan Slater. Peter Dinklage’s vocal performance of Dr. Dillamoad, the all too wise Goat is superb. There is a new character added in Miss Coddle but The Greatest Showman standout Keala Settle gets all too brief screen time. There are also some unexpected casting surprises but I won’t reveal them here.

Of course any trip to Oz requires top of the line craftsmanship so a big shout out to the sparkling cinematography of Alice Brooks, costume design of Paul Tazewell, production design of Nathan Crowley, and the dazzling choreography of Christopher Scott. John Powell’s thrilling musical score, blending with Schwartz’s iconic tunes is note perfect.

Chu has made a movie musical (the best since Chicago), even if it ends with its own “intermission” , that manages to stand on its own as a fully satisfying screen entertainment, and also serves as a delicious invitation to an upcoming second half I quite frankly can’t wait to see.

As the credits promise: To Be Continued.

Producers are Marc Platt and David Stone.

Title: Wicked

Distributor: Universal

Release Date: November 22, 2024

Director: Jon M. Chu

Screenplay: Winnie Holzman and Winnie Holzman & Dana Fox

Cast: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Bowen Yang, Bronwyn James, Marissa Bode, Peter Dinklage, Michelle Yeoh, Jeff Goldblum

Rating: PG

Running Time: 2 Hours and 40 minutes.